Not yet.
It's so chaotic doing.
Yeah.
Looks like it's great, though.
Yeah.
There you go.
There's a classic.
So yeah, I just, you know, I just stand here
for 30 minutes and talk awkwardly at a camera by
myself.
That's what I do all this like I, I think
the rest of like, how do I talk for 15
minutes to the camera without anyone in the room?
Takes time, takes I don't know.
My, my mom always says, my dad says I have
the gift of gab.
I'm like, yeah, that sounds about right.
So what I love is like with these harmonic patterns
is I've not done this enough to know what it's
going to create.
So it's like really exciting for me.
But then I figured out that if I do swing
it this way, like perpendicular, it makes squares.
Yeah.
Which I did not think was possible.
A double pendulum.
Yeah, exactly.
Which I want to do a double pendulum also.
How's it going?
I'm cool.
I met you the other day.
Oh, yeah, Sorry.
I remember that now.
Yeah.
So.
So do you have a valve in the can or
is it just a hole around or what?
It's just a hole, really.
Yeah, that's great.
Cares about valves?
No, I mean, I've seen people do that.
Like there's a guy that.
That's cool.
Yeah.
There's a guy that did this kind of art a
long time ago and he had this huge rig that
super weighted down and create these contraptions and he had
three buttons.
He had red, green and blue or red, green and
yellow and you press the buttons and would spit out
that color of paint.
Oh wow.
So it actually is a Ted talk talking about it.
This is wild.
This turned out really cool.
This is the first time I've done black and white
with this technique and it's just black and white always
hits there's a clog and paint.
I guess that's our you to finish the painting.
You played it that way exactly.
Well, that's I guess that was perfect timing.
It looks sick.