Well, you know, it started in a sandbox when I
was 5.
And I had these dinosaurs.
And I wondered, well, what if there was like,
a cowboy on a horse that was chasing them and
it was snowing outside?
I'll do it right now,
bro. Is that a challenge?
How dare you.
Hi, I'm Devin Cogan, and welcome to entertainment.
With these around the table with Jurassic World,
Dominion. I am so excited to be here with the
cast and filmmaker.
Thank you guys so much for joining me.
Thanks for having me. Thank you.
Pleasure to be here, Devin.
They find her. We're never going to see her again.
We got to protect her.
That's our job.
Humans and dinosaurs can't coexist.
We created an ecological disaster.
Ali Sattler.
Alan Grant.
You didn't come out all this way just to
catch up now, did you?
You coming or what?
I'm so excited to talk to you guys about this
film.
Holland, I'd love to start with you.
I know you've built this is sort of the finale
to this,
you know, decades long story.
What was most important to you about,
you know, getting that finale right,
that we were making the end of a
30 year story that was the end of three movies
and the end of 6 movies.
At the same time, we're bringing in our legacy cast
who all have,
as far as I was concerned,
an unfinished story. We want to know how they've changed,
how they've evolved, how they look at the new world
that's been created as a result of in some ways
the actions of these characters who have a lot of
guilt for it and and are in need of redemption.
And we have a lot of dinosaurs who've been displaced
who we want
for them to find a home.
We want to know they're safe.
So hopefully the audience comes in wanting a lot of
things that
we can all deliver. Did you feel a sense of
pressure?
You know, this is sort of the finale to this,
this like you said, this decades long story every day.
I no, I mean when you're when you make even
one sequel to one of the greatest movies of all
time directed by Steven Spielberg,
you're going to look yourself in the mirror sometimes and
wonder why or how you got there.
But then luckily with all of us together,
especially on this movie, we were able to
collaborate and make a movie that I think we have
a
sense of shared ownership over creatively.
And that made it a lot easier to
walk out there every day.
Bryce and Chris, you know,
you've obviously played in this world before,
but what was it like for you to sort of,
you know, unite with these legacy actors
and sort of, you know,
continue that story? It's a big deal.
I mean, we had been talking about this sort of
fantasy idea of what a third movie would be where
we would be like,
Oh my God, it'd be Jeff Goldblum,
Lord Dern and Sam Neill.
And I mean, that was something that we,
we always sort of aspired to reach that point.
And the fact that we did unto itself is incredibly
exciting.
But the reality is, is that these are three actors
who are at the absolute top of their game.
I mean, Laura, when we were shooting,
had just won an Oscar.
And so it was not just the honor and privilege
of getting to work with the cast of Jurassic Park.
I mean, it was the fact that we're working with
Jeff Goldblum and Laura Dern and Sam Neill.
And so, you know, it was a master class in
every single sense.
I mean, you loved it.
Yeah. Oh, yeah. I mean,
I remember, I never forget when I talked to Colin
on the phone,
he just like, gave me the breakdown.
This is long ago of what this story was going
to be.
And I think for myself,
I knew I obviously understood the allure of having the
legacy cast back.
You know, who doesn't want to see that?
And when you're making these big movies,
a big studio movie, you want to to set it
up so everyone wants to come see it.
I was just wondering how you going to do it
in a way that really pays off those characters.
And when he told me the story,
I thought, Oh my God,
that's that's actually perfect. That's great.
That's such a real story.
It's completely unexpected. I mean,
for the most part, people see a Jurassic film.
They think they know what they're stepping into.
It's going to be these great characters and the dinosaurs
and they're going to dinosaurs are going to freak out
and start eating people.
Like, that's kind of like the formula,
but this really breaks the formula.
And because of what happened in Fallen Kingdom,
the last film that came out,
this is the technology, the dinosaurs,
the threat is global. And the stories that bring these
two franchises together,
It's totally organic, it's super inventive,
it's really unexpected and it's good.
And so when he told me the whole thing,
I was just like, Oh my God,
I'm so glad that you're in charge of all this
calling because it goes up to me.
I'd have blown it. So like,
you have a brilliant man right here coming up with
a really great
story that justifies the,
you know, the the legacy cast coming back.
Yeah, Jeff, what was that like for you?
You know, because you were obviously in the last film,
but you know, this is you,
you know, back with Sam and and Laura running from
dinosaurs again.
What what was that like?
They, they are great. We haven't been
in a movie together, any any of us,
since 1993. They're fantastic of course.
But to be with the spectacular cast,
it was very dreamy and
and yeah, Colin, it's, it's interesting,
isn't it how you came up up with this.
It's a pretty it's a challenging
tall order like you alluded to,
like you're talking about. But you've been thinking about it,
you had said and I I'm curious to know more
about
it for like a long time,
right. You've had this kind of an idea.
How would you do it?
Because it is a great and delightful responsibility and the
opportunity to sort of
deliver something to the audience that is
hungry and interested and sensitive to what we might offer.
And you can miss the bullseye a lot of ways,
but but you were you,
you, you had a vision
developed from decades ago. Isn't that?
Isn't that so? Well, you know,
it started in a sandbox when I was 5 and
I had these dinosaurs.
And I wondered, well, what if there was like a
cowboy on a horse that was chasing them and it
was snowing outside.
And then here we are.
I will say that you know I think part of
what made us tell a story that hopefully does feel
organic and authentic to the world that we're creating is
that when we first spoke from the very beginning,
we sat down and we talked about
you know where is Ian Malcolm now this is 30
years that have passed.
Has he changed and if he has how has he
changed?
And and Laura, the same way with Ellie Sattler an
iconic character and has inspired so many young girls at
the time to become scientists and paleontologists and how has
her life changed. And and once we figured that out
we were able to create storylines that
hopefully we're we're echoing something true within each of the
actors because it was coming directly from them and not
just Emily and I,
you know in a room trying to figure out what
what would they feel?
Emily Carmichael, you wrote the script with boy she she
terrific.
And Derek Connelly, how did you work?
Because you'd worked with him before and you you'd you'd
been cooking this up for a while with him too.
Well, when we first, when we finished Jurassic World when
the movie came out,
Derek and I went on a road trip
and we drove. I had to take my car home
from here to Vermont where I live.
And on that road trip,
we talked about, you know,
what Fallen Kingdom was going to be and and what
Dominion could be.
And then when Emily came in to actually write the
script,
Derek and I had a set of very clear ideas
and we had a story.
But I really, we both really wanted her perspective to
come in and look at it and say,
OK, well, what about this?
And what about this? And so there were all these
new ideas that came in and we were able to
build something that hopefully
doesn't feel at every moment like it's it's a writer
writing.
And each of these voices feel like they came from
the people sitting around me and Emily and I,
and A lot of people who are involved.
We're racing toward the extinction of our species.
We not only lack dominion over nature,
we're subordinate to it.
You know, Dewanda and Mamadou,
you guys are new to this,
this story. Was there anything about joining Jurassic that surprised
you or that you you weren't expecting
like, oh man, I just.
All right,
yeah. Well, honestly, I was.
This is one of those movies and
I can honestly say I don't get intimidated often,
but I was certainly intimidated by the by the legacy
and you know Chris and Bryce and just being just
in this story that's been in my childhood for so
long. But I think the camaraderie and just the leadership
shown around the set was something to really admire.
And I took a lot from them.
I feel like I grew exponentially as an actor as
a result of being surrounded by all these guys.
So that's exactly what I would say.
I felt I what was surprising,
the most surprising thing was the
extent of the support, like the extent of the support.
You know what I mean?
I fully expected this just kind of be like,
you know, I'll figure it out on the day,
you know, every man for themselves,
you know, it's like a big world.
But, you know, from like our crew members,
obviously, Colin, in this cast,
you know, to walk in and really feel like you
have,
you know, the ground beneath your feet fully supported.
And you're not. They're not just like secret swim kid.
Good luck, you know. So that I wasn't expecting to
the extent to which
I experienced it. Very thankful.
Yeah. And I know you guys filmed this under,
you know, you were in a pandemic bubble.
You guys were all living,
you know, kind of in this under the same roof.
What did you guys, you know,
what was that experience like to,
you know, be working together and living together?
Basically, yeah. I mean it really like you're
you're going to watch a movie that in a lot
of ways is about what we were feeling while we
were making it.
You know, we were in this moment
when we were hoping that life on Earth was going
to go on,
but we weren't sure it was,
it was scary and we were making a movie about
that at the same time.
So I think that really part of the experience of
of making it has has is woven into what I
hope hopefully the experience of watching it.
I didn't experience like I didn't expect that to that
extent either.
Like the first time I saw it you know what
a month and a half ago I felt that like
I didn't feel I didn't expect for the the the
spirit with which we were like living,
you know in that moment.
You know it's it's really became I mean Jurassic organically
is a
franchise that's always about the time.
It's never a bad time
to to consider, you know,
how we all take care of or fail to take
care of one another,
you know, our place in the food chain,
so to speak. But this one is really tonally just
such a like movie with so much heart,
you know? And I I just watched it and I
was immensely moved by it,
which is not something that I had anticipated.
I think also something to make note of is,
is the fact that we got shut down
quite early in the pandemic with everyone else.
But we were one of the first movies to come
back.
And so there was a lot of trust that we
had to feel for one another.
And and also a lot of gratitude because at that
point everyone in the entire world were staying at home
if if you were fortunate enough to have a home.
So there were a lot of people going through a
lot of isolating
experiences and a lot of stress and doing it alone.
And so the fact that we were all able to
be together and live under one roof and
and eat food together and play music together and watch
movies together and all of that,
it was something that we so did not take for
granted.
And in any other time we would have it it
it it worked out the way that it worked out
and it definitely impacted the final result of the movie.
And I think you feel that that bond and that
camaraderie and and it's really a celebration of humanity ultimately
at the end of the day.
And it was an amazing effort.
Not only Colin, but Alexander Derbyshire and Pat Crowley really
pioneered and spearheaded those protocols that allowed us to get
over the finish line and have been modeled by
people still now trying to get through this challenging period.
Come back. I always come back.
Did you do any offset bonding Was there.
How did you guys spend past the time,
you know when you're you're in this bubble,
girl? We live together.
We live together. We did everything.
We were cooking in the teaching kitchen.
They were playing Frisbee on Sundays.
We were hanging out Friday night.
Saturday night. There was like movie.
I mean, it's just literally everything we were doing each
other's hair.
Rice is a phenomenal, like cutting hair.
If anyone needs a haircut,
everybody's hair,
cutting hair. I'm not phenomenal,
but I like it
when people are stuck with no other option.
It's the Barber. Yeah,
it was very good. But we worked on the material
too.
He had a great idea about,
hey, if we're all together,
we could make use of this.
And on weekends, Yes, and he did.
He scheduled work on stuff that was going to be
shot the next week and it was very fun,
creative and fruitful and useful.
Fine. That was the coolest thing that I experienced.
I I especially with a movie of this magnitude,
I'd never imagined that I'd have such creative input.
And yeah, thanks a lot for that,
Colin. It really means a lot to me as an
actor.
The respect that you gave every single one of us,
no matter if we're there for a day or like
6 months,
is really awesome. Well, what was interesting is it's kind
of it's the way I first knew how to do
it.
My first film was
$750,000. We were all living in a hotel together,
different hotel but
and it was just like,
you know, Turkey slices and carrot sticks for the meals.
But we got to work together on the film.
And so I I would say the process of making
this film was closest to my first film and anything
I've done in between and I I hope we can
continue to to keep the spirit of it.
You know, even if we don't live together.
I don't want to infringe on all your,
you know, your family lives,
but I think when people make films to be able
to have that level of
of interaction, of of camaraderie,
of understanding, of every whatever everyone needs from any given
moment,
but in advance of it.
So we're not just standing there on set trying to
figure it out,
hugely healthy, It sure was.
And you were so generous too.
Everybody had ideas and you know like
Mamadou's character, we have a bunch of scenes together and
he's very brilliant. And you guys collaborated and really made
a kind of a new tweaked,
you know your back story and things and things that
happened on screen in a very remarkable way but still
haven't made their way.
I see to the to the did you read the
the press thing. I think there's still a kind of
a an impression about your carrier description about your character.
I saw it yesterday that says,
oh, I think he's up to this.
I don't know maybe you didn't read it but I
go,
Oh no, I think that maybe we're
on it. Jeff and I are on it.
That's all to say we have your back.
This is. I got to know what you guys are
talking about.
Well, we. I don't want to give anything away
because it's kind of a surprise and a beautiful twist
that you guys came up with.
But it's a very
great thing about your character.
So and I know you guys,
you know, really went in on the the practical dinosaurs
there was that was a big priority for this one.
Tell me a little bit about,
you know, being on set with
was there like a particular dinosaur or like a particular
day on set with some of the practical animatronics that
that really stands out to you.
It was a John Nolan animatronics.
They did an extraordinary job.
I think the end result,
when you watch the movie,
whether or not they were animatronic or you were looking
at a tennis ball or like a,
you know, a mark on the wall,
doesn't really change the outcome for the audience.
But the process of making it is so much more
fun.
When you have a real animatronic there,
you feel like you're working opposite this extraordinary team,
often times a dozen or so people operating these puppets
that are wildly expensive
and and so lifelike. Every square inch is just a
beautiful piece of art and it can move and articulate
and you know,
move its mouth and its eyes and breathe and do
all these things.
So when you're when you're acting opposite something that is
giving you
life, it's really easy to react in a way that
feels organic.
And if you're doing it just like you know you're
faking,
it's it's just not as fun to do.
So on this film, if I'm correct,
there's more animatronics than ever before.
I don't remember a tennis ball.
Were there any tennis balls on this movie?
Where was the tennis ball?
I'm not going to say
I kind of had a no tennis ball.
I see it. She was acting there and I'd be
like,
no, I wasn't. I'm a good actor.
Well, I will. I will say that we always tried
to have something,
whether it was a full animatronic or a puppet or
anything.
But as far as you know how it affects moments,
one of my favorite moments that I think would have
been different,
you wouldn't have felt as much is remember when you
were out in the snow in Vancouver and you had
you had a lasso over this,
over the guy who was puppeteering the Paris or.
Yeah. And everything you do when you enter,
when you touch its face,
the way that it would,
you know, buck its head back and you'd react to
it.
You were really interacting via that puppet,
you know, with with the puppeteer and that.
I don't know if it would have been exactly the
same.
Maybe you're right. Maybe you're just right.
Yeah, whatever. We would have shot would have looked fine,
but it wouldn't have looked that good.
You know, you and the snow wouldn't have had the
experience DG
character. Yeah. And have and actually feel that intimacy without
an animatronic
and especially when there's a performance that you as as
a as an actor can't predict.
That's kind of what Chris was saying where that's like
you don't you don't have to plan necessarily what we
you're going to do.
I mean it just it breathes life into the moment
and in a way that you can never achieve because
the animatronic is giving you a performance.
And that's nice. I think the way the way you
look at at that animal,
there's a strength in your performance.
There's if you feel like you know you
you are worried for, you're concerned for it.
Like there's like a real depth to it.
And I feel like when I if I imagine,
you know a tennis ball swinging like this in front
of you,
I don't think that you would have had,
you know that depth of emotion.
Yeah. I think in your eyes I think the layperson
couldn't.
I could. You are professional.
You are professional. The average Joe.
But no, I could. I'll do it right now,
bro. Is that a challenge?
How dare you.
It was great what Colin did,
this idea of having more,
more real dinosaurs there and animatronics.
My kids, I had kids there the whole time.
They were like 5 and three of the time they
went to John
Nolan's Creature shop, which was in Pinewood,
and they saw them put in the last paint,
the strokes on teeth and stuff,
and they that he allowed them to do.
It was, it was something to say.
That's another
plane, right? Not exactly.
And there's a lot of really fun,
Spence in this film. You know,
you're riding motorcycles. You're on horseback,
flying planes. Was there like a particular skill any of
you guys learned or like a particular stunt that you're
really proud of?
I failed to learn how to drive a stick shift.
And in my defense, that truck that you see in
the movie was as rickety as it looks.
And I like, I always want to give a shout
out to Naomi Schiff because she's the actual,
like, stunt driver of those like driving sequences for Kayla.
And man, she made me look cool.
I call her driver Kayla because
that entire multi sequence and I tried to learn how
to like operate that truck.
You know, there were like,
I had five sessions, OK,
I had five sessions, 5.
And by the time we got to set,
you know, it ended up being like the truck inside
the studio by the time we got there,
you know, and I was,
I remember because I was working with Bryce that day
and I remember like stalling out and being like Nope,
I am not I am
not going to crash this truck into this multi billion
dollar.
However much it was set.
I'm not doing it. I think my,
I tried my
when I gave the the directive of like what is
this vehicle going to look like.
I said it's a an Italian contractor who inherited from
his father
and so 1985 like, but very specific.
We have the name of the company on the side.
But thanks to that you had a stick shift.
Yeah that was not going to happen.
It's also like horrible to be doing that when there's
a Formula One driver like,
right. For what? For what?
I have nothing to prove.
OK,
I already ran across the ice with Chris Pratt.
I did it. Did anyone else have any,
like, stunts or skills that that really stick out to
them?
Mom?
And you had a very civilized use
my brain post all this muzzle.
You had your first knife fight in this movie.
Oh, yes, that's right. Yes.
And the knife fight you.
You know one truth, which is that you're going to
get cut.
That's right. I also can you talk about,
I remember I was there because I'm a super geek
and I just always loved being on set.
I remember being there for you shooting the
falling from the plane. Oh yeah.
Oh yeah.
It was the most like,
mind blowing. I'm like, let me just take some notes
right quick.
That was my first day.
You were the first person to film when we came
by
after the Pandemic, and that was my first day back.
But it was after you had been filming.
That was your first day back.
Just that saddle up. Yeah.
Give me these bruises. My God,
the bruises. I mean, I was just so happy that
I wasn't actually having to drop out of a plane
because Colin sort of like,
suggested that a couple of years prior.
It may have. And yeah,
and I try to be game for anything.
And I was just like,
oh, you want me to?
And I said I had a Safeway.
I had a Safeway to do it.
Had a Safeway to do it.
Oh my God. So I just needed that day to
work.
Because if it didn't, then you'd be jumping out of
plane.
Just going to jump out of plane.
I remember, remember when I pitched it probably does sound
crazy that you were going to.
Yeah. And then you were going to basically going to
take a human and make it so they could create
a chair like a green human,
right. Who was the tandem?
And you were gonna sit in the lap and we
put a brace.
We talked about it. I'm glad you're here.
Yeah, it would have been on the first day of
shooting or the last.
Yeah,
that's why I said I was like,
if insurance is cool with it,
I sent a couple of videos of
parachute fails and stuff like that.
I started to take the after the third parachute failed
video.
I took the hint. That's fine.
This looks that looks like that person got hurt.
And yeah, for any of you guys,
was there like a particular moment on set or like
a particular scene you shot that really sticks out in
your mind?
Is particularly memorable for you?
Oh my gosh. I feel like this movie was so,
so big that asking that question would be like,
you know, what's your favorite Beatles song like at any
moment?
I'll give you a different answer.
I'm thinking right now, you know,
because we were having to call a lot of audibles,
we intended to go to Malta and shoot in Malta
because of sort of the world shutting down.
They created Malta in this massive underground,
you know, marketplace. And the set was monstrous.
I don't know how
it was absolutely incredible. And just walking down into that
set and seeing all of the extras and the sort
of seedy underbelly of the,
you know, black market dinosaur trade.
And, you know, they were like roasting these giant locusts
on a fire.
Remember the guy who was like 8 feet tall?
It's like
8 feet tall. Yeah. There's an 8 foot tall butcher
character.
And then we're meeting. We're meeting your character.
Well, it changed my performance because I was like,
oh, this is how tough I am.
Yes,
exactly. That's how. So let me fix my posture,
get my posture to get
these two. Yeah, they didn't.
We. We did the movie,
did like the movie, went to Malta,
but they weren't going to send us to Malta so,
so we had to recreate all of our Malta stuff
on sound stages to to tie,
you know, seamlessly into the stuff that was shot in
Malta.
I remember that. So there was a moment when we
were shooting on the outdoor Malta set
at Pinewood and I was getting every take that was
being shot by a unit in Malta was coming in
an iPad.
So I would do a take with you and then
we'd come up and I'd look at a take there
and I'd talk to
back to here. So just simultaneously directing the same scene
in two different countries at the same time,
because this is the first.
I mean, how many, how many continents
were we shooting on, 9 or 10,
nine or ten continents? Yes,
10 continents,
Chris. How many of them?
There are all of them.
But what what's 4, maybe
2 but it's you know how
many countries then? Definitely 4.
Four countries. Four countries plus four countries plus there's shots
from other countries that are in the movie.
But the idea that the but the sense is Jurassic
World is truly not just a theme park called Jurassic
World but it is Jurassic World.
It is the world if it's it's international.
We've got, you know, you're close to the
you're close to the ocean,
you're on top of a mountain,
you're in a hot desert,
you're in the middle of snow.
It's hot, cold, fast, slow.
It feels global. It's like,
feels more like a Bourne movie or a Bond movie
than your typical Jurassic film.
I remember thinking that when we actually decided to change,
you know, you changed the name of
Steven Spielberg's franchise. You better have a reason
and and the reason was well if if we,
you know if we go down this path that we
want to go down and and open this up so
there's dinosaurs coexisting with humans.
It's just not Jurassic Park anymore.
It's just not a park like it's it is clearly
bigger and so to make that choice in advance to
be able to call it,
you know this is the name of the theme park
but it's also what we're doing here
and what we hope people enjoy.
If our world's going to survive it matters is what
we do now I
can use your expertise.
You coming or what?
A baby Raptor. I made a promise we would bring
her home.
You made a promise to a dinosaur?
Yeah. Why?
When you were working on the first Jurassic World,
you were already thinking like,
I I want to go global and I want to
see,
you know, dinosaurs coexisting with humans.
Like, not outside of the park.
Yeah. For me, just because I feel like we'd only
animals coexist with us on this planet in so many
different ways.
And we'd only seen Zoo and I.
But, you know, we have animals as pets,
and they're in the wild,
and if you go into their territory,
they could hurt you. There's there's this tenuous relationship,
this balance that I think there was a lot to
say about if we could just,
you know, create a story where that
hopefully felt justified, made some sense.
Yeah. And that's. I'd imagine there'd be such a fun
world to play in creatively,
just sort of let your creativity run wild.
OK, Where where can we put dinosaurs?
You know what? What would this situation look like?
Yeah, I mean, we were pretty unleashed when it comes
to our creativity.
I don't think we held back on this one.
No.
You know, if I'm someone who's like,
if you get to make a movie,
make, make a movie. I mean,
go for it. Right. What do you get to make
a movie?
What I like is that
many of the storylines are not like if you were
to sit down with your friends and come up with
you know, the 10 best things you'd want to want
to see how dinosaurs and or this technology around the
earth could it could
manifest itself. Like what would it look like?
I I don't think you would guess
the the ways that you came up with they're really
unexpected and and they make they give this a sense
of freshness.
Audiences are I think going to love.
They don't know what they it's one of those things
where you're giving them what they want but not what
they expect.
Well, it's mostly because of,
in a lot of ways,
Laura Dern, whose character is,
is the engine of of of that element of our
plot in a lot of ways.
And because Ellie Sattler was a paleo botanist,
that's a very specific job that we didn't know existed
before that happened.
I'm like, all right, well,
she studies how ancient plants could
and modern plants could help us,
you know, survive. And it did create
a story about genetic power on a much greater scale
than just dinosaurs
that was driven by the fact that,
you know, however much she was able to
become an icon in Jurassic Park,
she'd never had a movie where she was the the
engine of the story.
And so being able to do that with this film,
I thought just for me as a fan,
you know, of her and and of these films,
I love that we got to do it.
And Colin, you know, you've talked about this as the
finale.
Is it really the finale?
Is there any chance that we could see this story
continue down the line?
Only because I feel like there are a lot of
young film makers who should have the opportunity to play
in the sandbox,
that I would never take that away from anybody.
And so if that's, you know,
if the audience loves this saga that we've created,
these these six films, even though this is the end
of of this story that we've been telling,
I just feel like I know there's some kid out
there playing in a sandbox with dinosaurs who's going to
have a Jurassic story to tell
everybody. Hold on to somebody.
That can't be right.
What is that biggest carnivore the world has ever seen?
Run.
See. Not so bad
again. You know, thinking back was that is there anything
particularly memorable day on set or something that really,
you know, like sticks out to you guys when you
think back to to filming?
I got one
the last day of shooting helicopter.
You know exactly where I'm going.
This guy Jeff,
he can do it. He has this beautiful George Bernard
Shaw home committed to memory.
And I don't even know.
I don't remember what prompted.
I remember was prompted somehow.
But we're all cramped in this tiny
helicopter that Tawanda's piloting
piloting
and yeah, it just kind of took.
I remember taking all of our.
It took all of our breath away.
It was. I saw it recently because it's.
It's on the Blu-ray. Yeah.
It's the coolest. They had this great documentary.
I saw the area of it is that moment and
what was amazing to me is how everyone responded,
You actually having nothing to say.
For a second there was just like this pause.
But then you did. Yeah,
I yeah, yeah. I've known this
quote. No, they were making.
I knew they were somebody you know,
doing behind the scenes and they said OK,
here you all are together.
And I didn't know what to say.
It was kind of a
breathtaking moment. It was sort of the that was the
last day of that was the last day
and we were all together and we were doing the
last scene in the movie kind of well,
I'm method apparently because I didn't realize they were recording
when you did that. So when I saw it,
you know when they like sent the approvals to watch
the behind the scenes stuff and I saw that it
was captured,
you know, from this other lens because I'm like looking
over my shoulder this way at you.
I just like I I wept all over again.
It was just a moment that just felt like it
encapsulated our experience so beautifully.
It's a lovely quote. Do you know what you want
to hear a little bit of do you know it
it goes like this.
I think I still remember it goes.
George Bernard Shaw said. That says this is the true
joy in life.
The being used for a purpose considered by yourself as
mighty,
the being a force of nature instead of a feverish,
selfish little clod of ailments and grievances,
complaining that the world will not devote itself to making
you happy.
I am of the opinion that my life belongs to
the whole community,
and while I live, it is my privilege to do
for it whatever I can.
I want to be thoroughly used up when I die,
for the harder I work,
the more I live. I cherish life for its own
sake.
Life is no brief candle to me.
It's a sort of splendid torch that I've got hold
of for the moment,
and I want to make it burn as brightly as
possible before handing it on to future generations.
That's the that's the quote.
And I've I've enjoyed that for years.
It's kind of neat, isn't it?
Beyond that's amazing. What a special way to sort of
wrap up this,
you know that that experience.
Is there information we should mention that isn't here that's
in the movie Campbell Scott isn't it?
Deacon Lachman, BD Wong comes back in this for anybody
who might be conquering for that and you will be
deeply satisfied.
He's delicious. Isabella sermon from the last movie is in
this spectacular.
You know Justice Smith, Danielle Pineda,
of course. Yeah. And there we go.
Steven Spielberg is still the,
what we call him, the godfather of this whole endeavour
from start till now.
Well, there we go. Well,
I think that's, that's all from us.
This has been entertainment. Weekly's around the table with Jurassic
World,
Dominion. Thank you guys so much for joining me.
And and go see the movie when it's in theaters
June 10th.